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Jay-Z Christens Barclays Center With Brooklyn Love

Rapper Jay-Z performs the inaugural concert at the Barclays Center in Brooklyn on Friday Sept. 28, 2012 in New York. / Photo by Evan Agostini/Invision/AP

NEW YORK– The newly built Barclays Center is the home of the Brooklyn Nets, and Jay-Z, an investor in the team, christened the venue Friday night in uniform, sporting a Nets hat and jersey as he rapped two dozen jams onstage in front of thousands.

Jay-Z performed for an excited and rowdy crowd of 18,000, wearing a jersey that featured his last name, Carter, and the number four. It was his first of eight shows at the venue.

As he emerged onstage, a video highlighting some of Brooklyn’s historical moments — like when it was named an official borough of New York City — played in the background. There were also pictures of famous faces who were born in Brooklyn, from Michael Jordan to Al Capone to Aaliyah to Adam Yauch of Beastie Boys.

Jay-Z opened the show with the hometown anthems “Where I’m From,” a song about his upbringing in Brooklyn’s Marcy projects complex, and “Brooklyn Go Hard.” He followed that with a tribute to one of Brooklyn’s icons: the late Notorious B.I.G. He performed some of the rap vet’s hit “Juicy” as the crowd joined in.

“Sing loud so he can hear you in heaven,” said Jay-Z, who also held a moment of silence for the rapper, who was shot to death in 1997.

Another Brooklynite — Big Daddy Kane — made an appearance, performing songs like “Ain’t No Half Steppin”‘ and “Warm It Up, Kane.” He received a roaring cheer from the crowd when performing old-school dance moves with two dancers in all white.

Jay-Z said Friday’s concert was incomparable to most of his other top-level performances, including the Grammys, Glastonbury or Coachella.

“Nothing feels like tonight,” he told the crowd multiple times.

The audience was excited and wild, cheering on Jay-Z as blue laser lights beamed across the venue. A seven-piece band was placed a level above Jay-Z, who paced from left to right while performing jams like “Empire State of Mind,” “I Just Wanna Love U (Give It 2 Me),” “Izzo (H.O.V.A.),” “99 Problems” and many others. Videos played on screens behind and above Jay-Z, while screens for fans in the higher sections — though not large enough — showed the rapper’s performance on the left and right sides of the stage.

“I want to thank you, Brooklyn, New York City, for making me the man I am today,” he said. “Like I said, everybody’s from Brooklyn tonight.”

A fan in the front section held up Jackie Robinson’s Brooklyn Dodgers jersey, immediately grabbing Jay-Z’s attention. He asked the fan for it and said: “I promise I’ll give it back.”

“Brooklyn had their heart broken,” he said as he held up the jersey and referred to the Dodgers leaving for Los Angeles after the 1957 baseball season. “We cried for so many years. …Look how far we’ve come.”

Jay-Z will perform at Barclays through Oct. 6 with the exception of Oct. 2.

 

 

Credit to CBS news:

http://www.cbsnews.com/8301-207_162-57523009/jay-z-christens-barclays-center-with-brooklyn-love/

© 2012 The Associated Press

 
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Posted by on October 1, 2012 in BLACK Events, Culture, Entertaiment

 

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Grammy Salute to Whitney Houston

After more than seven months since Whitney Houston’s untimely death, the music industry is determined to keep her legacy alive. “We Will Always Love You: A Grammy Salute to Whitney Houston” will air on Friday, November 16th on CBS. Usher, Celine Dion and Jennifer Hudson are among the performers that will be paying homage to the six-time Grammy winner. Never-before-seen footage, exclusive interviews, and highlights of Houston’s career, including Grammy and other performances will also be featured.

According to her former record label, a Greatest Hits album is also scheduled to be released in November called ‘I Will Always Love You – The Best of Whitney Houston, which will include never before released songs. A reality TV series is also set to air soon called ‘The Houstons: On Our Own’, showing the lives of her family members as they struggle to come to terms with losing Whitney.

Houston died at age 48 in February. Authorities called her death an accidental drowning, complicated by heart disease and cocaine use.

Written by: Lexine Emille

Remembering A Legend:

 

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Should Zoe Saldana Star in Nina Simone Biopic? The Dark vs. Light Skin Debate Continues

Zoe Saldana-Nina Simone

 

A movie about the life of African American singer-songwriter Nina Simone is coming under fire in recent weeks. Producers for the forthcoming biopic Nina, announced this week that Zoe Saldana would play the title role. Zoe Saldana, 34, got the role after Mary J. Blige, who’s been attached to the film for years, announced that she was no longer involved in the project. The movie is based on Nina’s 1992 autobiography I Put a Spell on You.

Nina Simone is known as the “High Priestess of Soul”. She is a legend in the world of music and was actively involved in the Civil Rights Movement on the 1960s. She was born in 1933 in North Carolina. Her music spanned decades and has been sampled and re-made by many of today’s artists. She did not experience an enormous amount of commercial success but her life and music have her holding an iconic status among many. Simone died in France in 2003.

After news broke that Saldana was taking on the role, petitions began to circulate online. Petitioners are accusing producers of everything from trying to “whitewash” the film by casting an attractive lighter complexioned woman to play Simone, to outright racism. This is not a new argument. The media has always shown a preference for casting lighter actresses, even when playing human beings who we know were darker. Recently, the movie Abraham Lincoln: Vampire Hunter cast a light complexioned actress to play the famous slave Harriet Tubman.

Many have made the point that there are several brilliant actresses who would fit the aesthetic of Nina Simone in a better way. Talented dark complexioned women have notoriously had a difficult time in Hollywood, despite the limited gains they have made over the years. By mostly casting light complexioned women in lead roles, the entertainment industry has had influence over the standards of beauty in the African American community. The Black community could use better representation of the spectrum and diversity within.

On the other side of the argument, many say, who are we to say that Zoe Saldana is not Black enough to play a Black lead role? Saldana is an Afro-Latina. She acknowledges her Latin blood but also her African ancestry is apparent. She is a Black woman. Her skin color and Latin heritage do not diminish that. She is a talented actress and there could be many reasons she was chosen for the role that may not have to do with race.

Both sides of the argument make legitimate points. This one thing is sure; this conversation will happen again until the media become more sensitive to the diversity in the Black community and represent that diversity on screen. Zoe is a beautiful actress and captivating onscreen. On the surface, she does seem miscast for the role, but let’s be fair to her as an artist and individual. Let’s let her talent speak for itself.

 

Written by:  Kika Ramsay

 

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Greg Banks… “not your average artist”

GREG BANKS

A native of New Orleans, Louisiana, Gregory Banks is not your average artist. In a time where mediocrity has become the norm in an ever-changing music industry, only a few singers shine as true artists. He has opened up for Multi-Platinum artist Lil Wayne, Trey Songz, Mike Jones, and Jazzy Jeff; won a B.E.T College Tour Competition; has been featured on many radio stations and local television shows; and was a finalist in Andre Harrell’s Superstar Soul Search Competition.  With these being only some of his variant achievements, Greg Banks continually puts his best foot fonNard to strive in this industry.

His lyrics having an abysmal connotation with a sound that is hard to define; his music has become a branch of the 90’s groove, and he is recognized as a prolific crooner of the now. Equipped with one of the most distinctive styles in the music business; Mr. Banks is bent on taking urban music fonNard. With his soothing tunes, genteel melodies, and charismatic charm one cannot help but to concede to the strong gravitational pull to his music.

In 2007, Greg Banks career launched with the partnership of Bay area’s artist G-Eazy and the creating of their hit single “Candy Girl”. Having over 425,000 plays on MySpace, the two created a music video which garnished over 80,000 views on YouTube and nominated for an mtvU Woody-Award.

In 2009, Greg Banks released his independent debut; The Time is Now, which erupted his buzz as the new R&B sensation. Currently unsigned, Greg Banks has over 3,600 fans on MySpace with over 80,000 song plays, and over 10,000 fans on Facebook. In addition, Greg Banks has also written 3 songs on songstress Kourtney Heart’s 9 track album “Eye Dee Kay”. Heart, a newcomer to the industry, was recently picked up by Jive Records. Jive expressed a strong liking for 2 of the 3 songs that Banks wrote for Heart, songs that both Banks as the mastermind behind the lyrics and Heart as the songbird; collaborated exceedingly well on- well enough to capture the attention of the prestigious Jive Records. More recently Greg Banks connecting with Bay area’s artist G-Eazy yet again for another great song that would push their careers yet even further ahead. The joined talents and great minds to do an epic remake of classic Dion & The Belmont’s “Runaround Sue”. In only two and a half months the video has 320,000 to plus views, and has been mentioned on countless blogs including Billboard.com.

However the superiority of Mr. Banks doesn’t stop with his musicality; Comparable to Fonzworth Bentley, Greg is truly deemed a trendsetter. Being the jack of all trades and the master of plenty; he has matriculated the arts of singing, songwriting, acting and modeling. Yet his dexterity doesn’t stop there. He infuses his sophisticated, urban style into the R&B fashion world. With his eccentric style and statuesque demeanor one can’t help but to notice Greg Banks. Vibrant colors, bold prints, and the clean well-kept manner define this GQ man. His distinctive style is inspired by the Harlem Renaissance, which was the height of elegance; his musicality being a wondrous whirlpool of the musical ingenuity and unequaled artistry of Michael Jackson, Frank Sinatra, Stevie Wonder, Smokey Robinson and others. With his eccentric style, his unique taste for fashion, a voice that is unmatched and unparalleled, and an outgoing performance with his band “The Crooners”, it is no exaggeration that the world of music will never be the same.

NOTABLE CAREER PERFORMANCES

§  B.E.T Black College Tour Competition Winner

§  Essence Music Festival Finale Concert

§  Opening act for Lil Wayne’ s No Ceiling Tour in Lafayette, LA

§  Opened act for Mike Jones and Jazzy Jeff in Philadelphia, PA

§   Xavier University Spring Fest opening act for Trey Songz

§  Howard University and Georgetown University performance in Washington, DC

§  S.O.B’s in New York, NY

§  BB Kings New York, NY

§  The World Famous Apollo Theater New York, NY

 

Q&A with Greg Banks:

BS: What ignited your passion for music?  How has your upbringing in New Orleans played a role in your passion for music? 

Greg Banks: My passion for music was ignited by the “Second Lines” & street performers in New Orleans. Growing up in the area of New Orleans that I did, I was left with few positive outlets, & music won my heart.

BS: How would you describe your journey so far in the music industry?  How did you get started in your career?

Greg Banks: My journey has taken me many places. I’ve experienced joy, pain, laughter & tears, but my ambition has never waivered. The tragic “Hurrican Katrina” was the true start to my career.  In that very moment I promised myself I’d do what I love until my heart stops.  

BS: What do you feel sets you apart from other vocalists? Have you had any mentors that assisted you?

Greg Banks: I feel that truly expressing who I am with no representative, no veil over the eyes of my onlookers, gives me all that I need to stand out and be different person that I was born to be.  I studied classsical voice in college, so I’d say my professor was my mentor. 

BS: What artists or other individuals inspired you to pursue your music career?  What motivates you to keep focused? 

Greg Banks: First and foremost, my mother was my first inspiration. She encouraged my to be fearless and chase and catch what I believe in.  My musical influences are Marvin Gaye, Stevie Wonder and Sam Cooke, just to name a few.  All those whom have been moved by my art will be keeping me motivated to push forward.

BS: How would you describe your music?  Which musical genre(s) would you say best describes your sound? 

Greg Banks: Musically I’m a collage of my greatest influences. My music is a blend of R&B, Soul, Funk and Jazz.

BS: Did you have any fears that you had to overcome?  What is a valuable life lesson that you have learned thus far? 

Greg Banks: My subconscious fears were the hardest. Falling victim to the societal stereotypes of growing up in the ghetto haunted me for some time. I then realized you created your reality first in your thoughts. I then began to think differently which gave different results. The most valuable lesson has been “One bad decision can make one hundred good decisions null and void”.

BS: Do you feel that being a writer enhances your artistry?  Please elaborate. 

Greg Banks: I do feel being a writer allows my expressions to only be as limited as my knowledge attained. I can write anything that comes to mind because my mind has no boundaries. If one isn’t a writer they can only attempt to describe what they feel, and the writers experiences will make it a hit or miss.

BS: How do you continue to develop yourself and your brand? 

Greg Banks: I pray for clarity in all of my steps. I seek counsel from wiser individuals whom I trust to help me brand the best Greg Banks. I’ve learned to make my personal taste more accessible.

BS: What do you look forward to the most in terms of your career? 

Greg Banks: I look forward to uplifting and inspiring the most.  Living a comfortable life off of the gift I was given is also very important to me as well, but if I can motivate someone to follow what they believe in, this circle is complete.

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ROLE MODELS?

Four women of color who star on some of the highest rated reality shows on television graced the cover of Vibe Magazine for their latest issue.  These four women, Chrissy Lampkin of Love And Hip Hop, Evelyn Lozada of Basketball Wives, Tamar Braxton of The Braxton Family Values and Kandi Buress of The Real Housewives of Atlanta all looked beautiful on the cover of the magazine.  The glaring headline admonishes us to meet our new “role models”.

Role Models are generally people who serve as an example of success, a person whose behavior can be a pattern followed by other people, especially those who are younger.  Vibe Magazine’s use of the term role model when referring to these women was a provocative move.  This was probably intentional and definitely effective in grabbing our attention.   There are many who watch these shows and feel as though their behavior is not the type of behavior one would want to pattern themselves after nor would they want other young women to display that type of behavior.

The media has recently been abuzz over current episodes of Basketball Wives in which Evelyn Lozada displays behavior that many call bullying.  She hurled a wine bottle and plates at one cast mate for previously calling her “loose” and jumped over a table in order to attack another cast mate.  The interview with Vibe gave the ladies a chance to address some of the criticism they have received.  While they take responsibility for some of their actions, they also pass some of the blame on to the producers and the editing process.  While they do attempt to explain some of their behavior, it takes a turn when the ladies, especially Evelyn, lash out at Star Jones who recently started a petition to boycott her new spin-off show with her fiancé, Chad Ochocinco.  Star called the violence on Basketball Wives “horrible and despicable” and implored VH1 not to reward bad behavior by granting her the opportunity to star in her own reality show. Star’s opinion is representative of many Black women in America who have to live with this as the image of themselves that is disseminated to the general public.  This image of the violent, self-absorbed bully is not indicative of all Black women.  It is not even indicative of these particular women as a whole.  They all have families, children, loving relationships and all those things that are present in a lot of other people’s lives.   Unfortunately, when these ladies do act this way, the public rewards them with their viewership, increasing their ratings.  Subsequently, the people behind the scenes at the networks encourage this behavior because it means more money for everyone, but especially themselves.  These women admit that their behavior pays off financially.  Evelyn even said outright that she welcomes Star’s petition and any other criticism because it only garners her more attention, which results in more money at the end of the day.

So between the viewing public, the executives and the stars of these shows, there is plenty of blame to go around for this un-role-model-like behavior.  Reality television has become a haven for people who have big personalities to act out and even bully others meanwhile being rewarded by more camera time and a big check.  All the ladies on the cover of this issue of Vibe have been granted their own spin off shows by their respective networks.

Written by: Kika Ramsay

Disclaimer: All views expressed within this post are that of the author and not BLACK STREET entirely.

 
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Posted by on May 24, 2012 in BLACK Corner

 

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EVERYDAY- Jermaine “Jay Everyday” Smith

Behind every face associated with a name is a story. For some their story proves that being triumphant is still possible even in the midst of challenges, hardships and the toughest adversities. Born in Queens, New York but raised in the East New York section of Brooklyn, was a boy who was oblivious to the circumstances in which he was about to endure. Unbeknownst to him as he made his entrance into the world was also the realization that he would grow up to be a man who would later be associated with titles such as playwright, director, producer, Editor-In-Chief, on-air radio personality and Internet radio station owner. He once said, “We live our life forward but to understand it you have to look at it backwards.” If we relive history from present day to his conception, Jermaine “Jay Everyday” Smith’s story could easily be a non-fiction novel written by a New York Times Bestseller. However, facts can never be fiction, thus what you see is real; one man destined for greatness though statistics would have said otherwise. And today, the very obstacles he once faced in his formative years assist him in writing, directing, and producing stage plays that have received accolades and acclaim at various venues across the United States.

Jermaine “Jay Everyday” Smith lost his father to Cancer at the tender age of four, leaving his mother to become a single parent to him and his sister. Yet, even more troubling was the fact that she was battling a drug addiction which spanned over the course of twenty seven years. Though his grandmothers and aunts played a role in shaping his development and offering some nurturing due to his mother’s situation, the difficulties of dealing with his fractured family structure forced him to withhold years of emotional pain and perplexity. From witnessing drugs being used in his home as a child, to taking on the responsibility of watching over his sister, Smith grew up faster than most children. Though the allure of the streets could easily captivate someone of his circumstance, that sort of lifestyle didn’t spark his interest. He spent a great deal of time writing, which in hindsight served as a way to release those repressed emotions.

As the years progressed and his mother’s situation didn’t improve, Smith found himself facing more tribulations in his life in 2003. His two year old nephew who suffered from sickle cell died after he was wrongly treated and misdiagnosed with having a sickle cell attack when it was later discovered he had a fever. Leaving the family in turmoil and grief, it was at that pivotal point that his mother decided her lifestyle had been detrimental for far too long and decided it was time for God to navigate her life. In awe by his mother’s choice and her spiritual healing, Smith also recognized that a breakthrough needed to happen for the sake of his own future and that of his family, and also gave his life to God.

For the past seven years God has been the center of his family unit to include his mother’s now drug free existence. In 2005, after focusing on working out some of the issues that plagued his ability to understand who he was and dealing with those feelings, he began writing skits and presenting them to the pastor of his local church, who suggested he turn them into stage plays. Thus the comedic, dramatic, inspiration family drama stage play, A Piece of Me, was born. Throughout its forty performances, it was the first African-American produced play to be shown at Playhouse on the Green in Bridgeport, Connecticut since 2002 and the first African-American produced stage play ever to be performed at The Shawnee Playhouse, which was built in 1904. A Piece of Me has received several recognitions, been responsible for almost a hundred audience members turning over their life to Christ, and won noteworthy awards to include, the “Best Stage Play Award” in 2009 at the Holla Back Gospel Music Awards in New Haven, Conneticut, five nominations at the 2008 Tiffany Gospel Awards in New York and a review and feature on Essence.com in May 2009. Smith’s second stage play, Cooking in Yesterday’s Grease, has been reviewed in the Examiner and continues to be performed across the United States.

Creating a name for himself and a marketing brand Smith set his sights on radio. After attempting to get on mainstream radio to promote his stage plays and being unsuccessful, he sought out the opportunity to create his own Internet radio station, Everyday Radio. With a fully equipped, station in Brooklyn, NY and over ten radio shows hosted by various air personalities under his leadership, Everyday Radio offers something for everyone. The mission of the station is to provide a platform for the “everyday” person to be heard. In September 2010, Smith will launch Everyday the Magazine, a publication for everyday heroes in communities nationwide and abroad. The publication will give readers a chance to read insightful, sometimes painfully honest interviews from real people who have amazing stories and testimonies that can change lives.

Adding to his professional credits, Smith has been featured in Allezom Magazine, Exclusivity Magazine, served as a regular guest on WHCR (Harlem Community Radio), featured on New York’s public access channels, BCAT and MNN, WVOF/Fairfield University Radio (88.5 FM), and has appeared on Tom Joyner’s 94.3 FM, to name a few.

Currently, Smith is working on new projects to include expanding and branding Everyday Radio, Everyday the Magazine and show appearances for his stage plays, along with being a father and continuing to strengthen his family unit.

Jermaine “Jay Everyday” Smith resides in Brooklyn, NY.

Q & A with Jermaine “Jay Everyday” Smith

BS: Through reading your story, we know of the hardship you’ve experienced. What role has that played in the man you are today?

Jermaine “Jay Everyday” Smith: My past plays a significant role into the person that I am today and the man that I continue to grow into.  Growing up as a child who lost his father at the age of four and seeing your mother battle a twenty year substance abuse addiction was the life that I was exposed to. This atmosphere did not provide me with the sketch of how a man is suppose to provide for his family, of how a boy learns how to treat a young lady, respect all women and to tell or show another how you felt or cared.

BS: How did you begin writing stage plays? Did you contact individuals within the industry? How did you fully equip yourself and build your audience?

Jermaine “Jay Everyday” Smith: I begin writing stage plays soon after I was approached about acting within a stage play. This offer not only got me on stage; it opened my eyes to expand on all the other writings, songs and poems that I was currently doing at the time. I had no clue as to who to contact in the industry and just decided to jump in headfirst. I equipped myself by gathering a few friends to read a couple of pages of a concept that I had created as a television pilot. The pilot was well received but was not the project that I needed to convert into a stage play. Once I wrote the appropriate piece, I went out and spoke with a Pastor about bringing my production to his church (Faith Assemblies of GOD; Brooklyn, NY). I then begin to hit the streets with fliers and emailing everyone that I knew. We sold and packed out the church and held an Alter Call where we saved close to twenty people that night. From there it was GOD, more fliers, social networks and good word of mouth as the best business card.

BS: What encouraged you to create a radio show? What are some of the concentrations of the show?

Jermaine “Jay Everyday” Smith: My encouragement to start my own Internet Radio station was based on the financial limitations that I faced to either pay for radio interview, radio air play or traveling difficulties to get to these shows. I felt that many of us small productions, indie artists or small business owners reach our financial cap quicker or are just limited in that area to spend to market or promote. The concentration of my station and shows is to highlight the “Everyday Person”, the small business owners, the indie artist and to hear the community’s voice on issues and matters that you may not hear about no longer once the mass media smoke has cleared.

BS: You are an Entrepreneur. Tell us more about the launch of your new perfume.  Why did you create a scent for women, unlike many other men who have created colognes, choose to make one for women? 

Jermaine “Jay Everyday” Smith: I launched “Everyday” For Women in December 2011 to honor and share with the world, how I felt about the strong “Everyday Women” in my life; such as my Mother, Sister, Aunts and Grandmothers. They all have been great influences in one way or another to me through their strength, prayers and connection. I wanted to also make something great and affordable for the individuals who may not have the financial flexibility to get another desired product that is out of their price range. My goal was to create a great signature scent that you can wear “Everyday” and be simple, clean & magnificent. I decided to tackle the fragrance because I believe it was time for me to put the woman first.

BS: What advice do you have for someone who wants to venture towards any similar endeavors?

Jermaine “Jay Everyday” Smith: My first piece of advice would be to pray on the new venture. Secondly, I would definitely say you should commit to putting in the research hours needed for you to learn as much as you can about the product/project, and to talk to or work with someone that has successfully worked in that field if you can. 

BS: What motto’s do you live by? What are the most important lessons that you’ve learned to date?

Jermaine “Jay Everyday” Smith: I live by the motto of “I rather you appreciate me more than you need me”. I feel this way because people can hate who they need; but there is no way possible that anyone can hate who they appreciate. One of the most important lessons that I’ve learned thus far is that “People are the best investment”.

BS: What future projects do you have in store? How can we get involved?

Jermaine “Jay Everyday” Smith: I am currently getting back to filming my television project that I paused in order to release the fragrance.  I am finally putting the final touches on a one man show that I have been contemplating writing for a few years. Black Street’s involvement thankfully has started now with this platform of allowing me to discuss the things that I am looking to contribute to this world. So I thank you for the opportunity.

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Jay Z Denounces the “B”-Word Upon Becoming a Father

Jay-Z Beyoncé and Jay-Z post pictures of their baby Blue Ivy Carter on their tumblr blog.

Jay Z denounces the B-Word upon becoming a father: Nevermind the B-Word, Does rap need a change overall?

I was listening to a major NY urban radio station when it was reported that superstar rapper and mogul Jay Z would no longer use the B-word in his lyrics, thanks to his new status as a father to the newest addition to the Carter family, baby girl, Blue Ivy. He stated that he would not want anyone to disrespect his young girl with the inflammatory word. Jay has been known to use the word in his music and now he is saying that the word needs to be stopped, beginning with him. He writes a letter to his daughter in this poem dedicated to her expressing his wish:

Before I got in the game, made a change, and got rich,
I didn’t think hard about using the word B—-.
I rapped, I flipped it, I sold it, I lived it
now with my daughter in this world
I curse those that give it.
I never realized while on the fast track
that I’d give riddance to the word bitch, to leave her innocence in tact.
No man will degrade her, or call her out her name
the women won’t despise her and call her the same.
I know it’s gonna miss me
cuz we been together like Nike Airs and crisp tees
when we all used to hang out front
singing 99 problems but a lady ain’t one.
Excuse me miss, can I be your mister
cuz I can tell the difference from a little girl and a sister,
She never grew up, her father left her alone
I promise not to talk like we used to
until Kingdom Come.
I’m so focused on your future,
The degradation has passed
I wish you wealth, health, and insight
forever young you may pass.
Blue Ivy Carter, my angel.

Amid negative based reports surrounding the birth of Blue Ivy Carter, from the meaning of her name to his supposed sinister “Illuminati” connections. Instead of deflecting rumors, Jay is using the forum instead to shed light on the use of the B-Word. His awakening also sheds light on the way some men view women and illustrates the fact that: Men can grow and learn.

But his awakening has several implications. One: Does it take a member of the rap community to reach the masses of this generation to re-think the way young men (and some women) communicate with the opposite sex. Also two: Not only does it take
a member of the rap community, but can it be awakened by one person or does it take many leaders within the rap industry to make the change and sound out regarding not only the use of the B-Word but the misogynistic attitude that is so prevalent in
rap music today.

For some men it does take a very eye-opening experience as the birth of a child for some men to wake up to the way they express themselves. I give credit to Jay Z for using his forum to denounce the B-word and make a change in the right

direction. Some may say: “so what!: most men who become fathers easily get misty eyed in the face of new found innocence staring them in the face, Many may say his sentiment will fade and the old Jay will re-emerge as the newness of fatherhood fades by the wayside and reality steps in.

Chicago born rapper, Common described in his 1994 ode to rap. “I used to Love H.E.R.,” the fading early innocence of rap becoming bastardized as it mainstreamed for wealth’s sake, becoming muddied by the advent of gangster rap as it further moving away from the roots well established by seminal hip-hop artists. In its earliest eras hip hop that did not glorify violence, masochism or chauvinism but light-hearted bravado and braggadocio was used as a means to rise in their struggle to survive in midst of poverty and bleak conditions. Jay’s newfound stance against the B-word right away reminded this writer of that early time when rappers were conscience of how their words affected others and actually applied that consciousness to their art. Famed Bronx native and rapper of seminal rap hit: “The Message,” Melle Mel, put it this way in 2001 in “Q: the autobiography of Quincy Jones”: “I never did rap to make kids shoot Tech nines and gang bang and abuse women. I did it for opportunity. I did it to humanize my neighborhood, the part of America that’s in my heart, the part that the world never sees”

Let’s face it , to be honest the B-word has been around way before Jay Z and will be here long after he is gone, yet it is significant when someone of his stature and impact says that the B-word is no longer acceptable as a word to be casually tossed around in his music. Does it matter that it took the highly publicized birth of this Brooklyn born rappers baby girl,to officially denounce the word and epitomize the sentiment in ….yikes! …a poem? Has he all of a sudden become sensitive to the needs of womanhood and the need for niceties toward the female sensibility after looking into the face of the future in the form of his baby girl? Are we to assume now that innocence is a priority, Is the implication that we have to review all the rap music that we have been listening to and adjust and re-adjust to bring rap in alignment with a more positive approach? Are we going back into a conscious era. If Jay is questioning the past use of the word, should all rappers conform? Is this an opportunity to open the dialogue to raise the consciousness of the youth and to uplift the race in our struggle for self-determination and empowerment. Just where do we go with this tool, this powerful medium such as rap. Do we we return to its roots and rediscover the reasons why hip-hop started in the first place?

Prior to his marriage to Beyonce Knowles, Jay has been noted in past interviews to state that he was moving away from more misogynistic lyrics after solidifying that relationship and also when he eventually reunited with his father and forming a relationship with his dad after many years of his dad’s absence since the age of 11 years old. In a 2009 interview with Oprah Winfrey he described his feelings after his father left his family: “I remember just being really quiet and really cold. Never wanting to let myself get close to someone like that again. I carried that feeling throughout my life, until my father and I met up before he died.” [sic]

Many young hip hoppers can and do relate to that sense of isolationism. Many fathers are not apart of many young men’s lives as the break down of the family, both Black and White, becomes more evident due to both separation and divorce. Stats show that 21.8 million children are being raised in single parent homes. 26% of children in single parent homes under 21 years of age. With as many as 84% of single parent homes being led by the mother, there are many being raised in absence of a father on a day to day basis. These circumstances can have devastating affects on young men.

Like Jay, that cold disconnect can be felt by many hip hoppers as a chasm is felt and expressed through rap. If “rap is the CNN of the streets” as Chuck D (of Public Enemy) put it, then the top story of the day is that sense of coldness and isolation expressed in both rage and passion. There remains a dissonance between the roots of rap and its current day status as a mainly misogynistic expression of burning anger and pain over a pulsating back beat. A sense of fatherlessness and lack of direction can be translated in music that expresses the heartbeat of the streets and all of its concerns, both exagerrated and real.

The fathers of hip hop try as they might, many through symposiums and yearly tribute concerts, just as the annual Hip Hop Summits of Russell Simmons tries to get the message of unity, self determination across, yet the message is not clear. Who is gong to make the connection in the divide between raps early years and its current state of affairs. Even if the originators of hip hop do make the connection, who will listen. Are hip hoppers willing to listen to rappers who all off a sudden say The B-word is not cool. Let’s try another approach. Is it too late for us to make the assumption that because one lone rapper, albeit arguably the most influential in the world all of a sudden has an epiphany that rap needs to be revamped. Sadly, without the support of the industry at large, Jay Z’s contemporaries as well as the “fathers” of rap making the same declaration in unison that misogynistic language period, not just the B-word is not o.k.and even passe. Can we return to our roots to preserve and safeguard an art form that so desperately needs a total overhaul, and inventory of what should remain and what should go and redirection to preserve not only itself but the future of the youth that listen to it.

Written By: Stacy C. Smith

Disclaimer: All views expressed in this post is that of the author and not BLACK STREET entirely.

 
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Posted by on February 17, 2012 in BLACK Corner

 

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DIRTY BATH WATER- Wesley Volcy

Wesley Volcy

Dirty Bath Water is one of the most diverse, original, and exciting bands you will hear today. They play everything from Rock to Hip Hop, from jazz to Acoustic Ballads – all original music. And this band is all about the live performance. They can keep the party pumping, or bring it down to a slow and mellow vibe. Unique individual personalities, great showmanship, and refreshingly diverse music – it all adds up to the total package. And most importantly, DBW has fun when they perform, and this vibe carries over into the audience. They are not plagued by the emotionless, over-practiced yet artificial sound of many other bands. Their music is tight, yet they are loose enough to let the emotion of the crowd shape their performance.

Dirty Bath Water’s saga begun in early 2001, when Danny and Wesley met at college. They started writing songs together and performing at local coffee houses, with Wesley displaying his magnetic charisma on piano, and Danny releasing volcanic intensity on guitar. About a year later, Danny and Wesley met John (known as Fudge), who also went to the same school. He then began to play drum and beatbox with them, with a relentless mischievous energy adding to their distinct style. L.A. (known as LANSTARR), who was a long time friend of Wesley, joined DBW in mid 2003. His un-daunting mystic while playing the trumpet helped to add to the band’s unique sound and is something one rarely sees in a rock band today. Randy joined the crew in mid 2005, adding the foundation to DBW songs with his smooth bass playing. Adrian has always been around, adding a soulful spirit to DBW songs. However, in 2005 he became an offical member of the band.

The name Dirty Bath Water was at first given as a joke. This was a name that Wesley had made up for his imaginary band as a child. He thought of this name because “this was the stupidest name I could think of at the age of 9.” Danny declared that they would change the name once they thought of a better one. But now, the name has so much more meaning. You see, no matter what nationality, race, creed, or religion you are, we are all alike. After one steps out of a bathtub, what is left? Dirty Bath Water!

Q&A With Dirty Bath Water (COMING SOON!)

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TWITTERhttp://twitter.com/dirtybathwater

ITUNES: http://itunes.apple.com/us/album/atlas-ep/id365712827

MYSPACE: www.myspace.com/dirtybathwater

YOUTUBE: http://www.youtube.com/dirtybathwatertv

 
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Posted by on September 9, 2011 in Entertaiment

 

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THE BEST DRESSED DJ- DJ Ceo

DeeJay CEO

DJ CEO aka “the best dressed DJ PERIOD!” has been spinning records since 1997.  He started DJ’ing as a hobby. However, he quickly realized the wheels of steel were his creative home.  DJ CEO grew up around music; his father was the family and neighborhood DJ, playing music for local house parties while his uncle was a musician with his own live band.

DJ CEO has played at some of the top venues in New York City including The Gansevoort Hotel, BLVD, Room Service, Nikki Midtown, Gild Hall, Tribeca Grand and Stone Rose Lounge.  He has also played for several notable events such as the Pre-NBA Draft Party, the Pre-MTV Video Music Award’s Client Party, SFK Fundraiser, Howard University’s Homecoming Alumni Yacht Affair and The Urban League Young Professionals of Virginia 10th Anniversary Gala.

DJ CEO has become synonymous with style and grace fostering a unique and unforgettable musical experience second to none on the New York party scene.  Music is his energy and this energy transcends from today’s hits to timeless classics never disappointing his loyal following while capturing new admirers just the same.

Q&A DJ CEO

BS:  What were your aspirations prior to your realization that being a DJ was your true calling?

DJ CEO: I wanted to play professional basketball.  I played 4 years of varsity in High School and 1 Year in College.  I then transferred to Howard University.  Due to some red tape,  I didn’t play there and after I turned my focus elsewhere and that was to producing television and film.  I started my own production company in 2005 and we had some success, but I drew tired of what the networks were looking for and that was crappy programming.  Simultaneously, my DJ career was picking up.  So I dropped everything and followed my heart.

BS:   What factors did you think of in which gave you the courage to devote all your time in DJ’ing? Were there any risks in choosing this profession?

DJ CEO: All I cared about was doing what I loved.  Doing that gave me joy.  I knew it would be difficult in the beginning but it would all pay off.  In the beginning I wasn’t making a lot of money, my brand wasn’t clear and solid.  So it was a struggle.  The biggest risk was not making any money.  But no risk no reward right?  I’m the kind of person that isn’t afraid of much and don’t need much to encourage me to do anything.  If I want something, I’m going to go get it no matter what the price is to be paid.

BS:  People assume DJ’ing is just about spinning discs. What other elements and skill play a role in your profession?

DJ CEO:  It’s always funny to me how confident people are in their ignorance when commenting on DJ’ing.  Everybody can’t do this.  For one,  I think you should just be gifted.  It is a calling.  The great ones are called.  You have to be able to read the crowd.  In some parties you have to have good mic presence.  You have to manage the time spent on certain sets like reggae, old school, hip hop, house.  Knowledge of the crowd is the most important thing.  Sometimes the only way you’ll learn your crowd is to play the music and see what they react to.  And on top of all that you have to have a solid skill set.  You need to know how to mix & blend.  You have to know when to play the hot songs, where to bring them in.  You have to understand tempo, beats per minute.  There is a lot that goes into it. But the really good ones make it look simple and that’s because we’ve put in years of practice.

BS:  How did you use your talent to create a business? Is it hard to generate clientele? What major factor plays a role in the success of your business?

DJ CEO: I used my talent to create a business by creating a brand.  I learned that folks invest in brands not talent.  Women don’t love Beyonce because of her talent but because of what she represents.  What her brand is.  They love her because she’s sexy & a diva.  My business partner told me I’ll never make a million dollars being a DJ.  I’ll make a million dollars being me.  So my brand is very important.  Being The Best Dressed DJ PERIOD is the brand of my business.  Aside from being a great DJ people come to my events because they are going to see a very well dressed, cool cat do it.

It’s not hard to generate clientele. Once you do a great job, everything becomes word of mouth.  But it does take time.  It doesn’t happen overnight.  You’ll generate fans faster than you will clientele.  But that’s not bad either because you can turn those fans into dollars.  Being consistent is the biggest factor in my success.  They always know when they come to an event or party that DJ CEO is spinning they are going to see a well-dressed and smooth DJ and the music is going to be on point every time.  No one can ever say that I didn’t do my job well and look good while doing it.

BS: DJ’s have played an important role in the entertainment industry. Do you believe your profession can be used as a tool to positively influence the youth within the Black Community?

DJ CEO:  DJ’s can definitely be used to positively influence the youth within the black community.  In fact it’s on my agenda. I want to use my image and popularity and influence to show the youth in our community that yes I don’t look like the stereotypical black guy from the hood that is supposedly hip hop but I’m very hip hop.  Look back at Big Daddy Kane & Kool G Rap.  They wore shark skinned Suits.  Rakim too.  But not only that, you don’t have to follow the crowd.  You can make your own lane and people will accept you and respect you more because they know you aren’t fake.

BS: How important is the Black Community to you? What can we do to showcase its greatness and remove negative stigmas?

DJ CEO:  The Black Community is very important to me because it’s my community.  What goes on in it affects me.  If something bad happens in the black community it’s like it happened to me personally.  I just wished that Hip-Hop would do more to help out our communities.   They need to be taught and encouraged; and right now they aren’t.  Some of the things I hear and see in our neighborhoods are sad and I feel it is up to those of us who have been exposed to more and cultured to take our experiences and share with them.

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Posted by on July 28, 2011 in Entertaiment

 

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